Goodbye, North Jersey.
The Sopranos is by far the best drama we’ve ever seen on television. (The New Yorker editor called it “the highest achievement” in the history of the medium, but we don’t watch enough to know that.)
We’re perfectly happy Mr. Chase did not choose a cartoon finish. Angry fans felt otherwise, crashing HBO.com with complaints. Where’s the closure? they raged. One sobbed “I’ve wasted ten years of my life!”
.
Well, it takes all kinds.
Meanwhile the show refutes one argument forever, which is the argument against TV itself. Condemnation of the medium seems pretty foolish, after The Sopranos.
But we faced resistance.
“Don’t you like it mainly because you lived there?” they asked.
We certainly loved it for that. The many sidewalk scenes at Satriale’s were played and filmed in Harrison, a few blocks from our place in the Ironbound. Another scene was shot in our local fish store on Market Street, between the banks of snappers and octopii. Over all loomed Newark Cathedral and the Pulaski Skyway — the Notre Dame and Eiffel Tower of our Jersey years.
But what clinched it for us was The Sopranos’ perfect pitch in language. Three great moments:
#1: When they mimic reruns of The Godfather.
#2: When Ralphie stirs the pasta sauce and calls it — not marinara or bolognese, but gravy.
#3: When Paulie, alarmed at rumors of municipal reform, asks Tony, “What about our thing?” (Normal voice, slight emphasis on our.)
Paulie doesn’t say The Mafia (clashing cymbals) or The Family (dum-de-dum-dum) or Organized Crime. He just asks about “our thing.” A casual shorthand expression, as it was in Italy: La cosa nostra.
It’s how real people talk.
Real people, bestial killers
Portrayals of real people were critical to The Sopranos’ success. What made them real? Their hopes, fears and mundane lives, conveyed mainly though language.
Hopes, fears, mundanity: In the right hands, it’s a powerful combination. It made millions of people feel sympathy, if only for a moment, for bestial killers like Tony Soprano and Chris Moltisanti.
And Paulie Walnuts and Bobby and Furio and Uncle June and Silvio and Pussy and Ralphie (my vote for most bestial) and Phil and Richie and Eugene and Patsy and Vito and Carmine and Benny and Little Carmine and Little Paulie and Johnny Sack and Larry and Gigi and Matt and Sean and Philly Spoons and Mikie and Chuckie and that guy from Down Neck and those guys from Brooklyn and all those other guys too.
With a very few exceptions — random victims, fawning civilians, clueless kids — virtually all the male characters on the show were violent sociopaths. And while their female soulmates didn’t personally whack people, they were in pretty deep. As Carmela told Dr. Melfi, she knew that behind Tony’s every gift “was a guy with a broken arm or worse.”
Melfi, of course, stands alone.